Saturday, May 8, 2010

It’s A Wonderful Afterlife : Dead Amusing


It’s A Wonderful Afterlife

When everyone’s dissin’ your chubby single daughter what is a mum to do? Kill them with curry and make friends with their ghosts of course! The team that brought us Bend It Like Beckham has swapped goals for ghouls in this supernatural comedy with broad appeal.
Mrs Sethi (Shabana Azmi) is a widow living in Southall whose last wish in life is to see her only daughter married off. She’s having a tough time making it happen, Roopi (Goldy Notay) is a bit plump, has a moustache and is very opinionated.
When Roopi is rejected again and again the matriarch seeks revenge on the snooty suitors and their families with a curry-themed killing spree. When their ghosts come back to haunt her they realise their ticket to reincarnation means helping to find a husband for Roopi.
Okay so it’s a completely ridiculous plot but It’s A Wonderful Afterlife has some charm and should trigger at least a few chortles. It has the feel and style of an old Ealing Comedy or Carry On film – camp and corny but gently amusing. You’ll groan at the gags but it’s hard to really dislike this feel-good movie.
Azmi is superb as the suburban serial killer and steals every scene she appears in. Notay, who piled on the pounds for the role, is a decent lead who makes a change from the usual anonymous Megan Fox-alikes that crop up everywhere these days.
The rest of the cast is pretty predictable given that this is a British-Asian film – Sendhil Ramamurthy, Ray Panthaki, Jimi Mistry and Sanjeev Bhaskar all appear. Sally Hawkins has a great turn as Roopi’s psychic mate Linda while Zoe Wanamaker provides some laughs as the family’s next-door neighbour.
Pitched as ‘My Big Fat Greek Wedding meets Shaun Of The Dead’ (and just as impossibly wrong as that sounds), this sees an Indian mother (Shabana Azmi, aka ‘the Meryl Streep of India’) so desperate to marry off her plump spinster daughter (Goldy Notay) she is prepared to commit murder.
The ‘hilarious’ consequence then being that she is haunted by her victims, including The Kumars’ Sanjeev Bhaskar in embarrassingly rubbish grey make-up.
Boasting cheaper special effects than Rentaghost and a comic pace surpassed by a snail doggy-paddling through porridge, it has one funny(ish) joke that I’ll give you for free: ‘Where do Jewish people go when they die?’
Answer: ‘Willesden’.
That’s why I’m paid to see these films – so you don’t have to.

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